Saturday, October 31, 2020

Primitive Applique and using buttonhole embroidery stitch to achieve it by Deloris Pickens

 Primitive Applique and using buttonhole embroidery stitch to achieve it by Deloris Pickens.



Keeping busy during the pandemic.  Working through some of my UFO's around the house.

About 25 years ago my husband and I were in Allentown, Pa at a flea market and I saw 7 quilt blocks completed for $75.00.  They had the birds on them and I think 3 extra more simple blocks.  I brought them home but didn't know what to do with them.  In 2003 lo and behold  a lady in Stillwater, Oklahoma had made this quilt and it was pictured in Quilters newsletter.

     Now I knew what to do, so I made the pattern off the two simple blocks and then I had to search for material to match the other blocks  I have a stash of depression era fabrics and the muslin for the background was easy to finish.

The applique is called primitive applique.  I did not turn down any edges on the applique but did a buttonhole embroidery stitch around each piece of the applique.  It took me about 40 hours to finish each block of the applique.

     When I finished it I took it to Newkirk and had it machine quilted.  Then I put it away and did not mess with binding it.  About a month ago, in 2020,  I decided that I would bind the quilt.  I just took the back lining and brought it over to the front.  It took me about 8 hours to do the binding.  Am very pleased with the result and it will fit a twin bed or can be used as a throw.

Thursday, October 29, 2020

Day 2 - Cut T-shirt Squares - Rag T-shirt quilt tutorial

 Day 2 - Cut T-shirt Squares - Rag T-shirt quilt tutorial

After all your T-shirts are nice and laundered, start the process of cutting out your T-Shirt squares

Some things to consider:
  • I use a Olfa rotary cutter.  Plus a self healing Olfa cutting mat.  I have one that I use down stairs and in my little craft space.  
  • Additionally a Quilters Acrylic clear ruler is use a lot of times in cutting out fabric and squaring up edges with my olfa cutter
  • Recently I purchased a T-Shirt Transformation clear acrylic guide.  I had been using a self diagramed clear plastic acrylic square, with 10, 12, 14 & 16 inch markings.  But recently in looking at other people doing T-shirt quilts read upon this tool over at Nancy's Notions.  Ordered mine off of Amazon.
  • I used my nice fabric Gingher sizzors to cut the front away from the back side of the shirt.  Just went down the side of the shirt in cutting.
Tools for making a ragg T-shirt quilt.  Olfa cutter, mat, quilters ruler, T-shirt transformation template

Some other things to consider:
  • Some of your shirts will have designs on both the front and back.  You can decide to use both sides on the front side of your quilt, or have them be back to front on the same quilt, or make separate quilts if you wish
Two sided T-shirt for rag quilt

Decision time:
  • Where to place your template for cutting.  Ohh, this is the hard part!
Placement of the template for T-shirt ragg quilt

Placement of the template for T-shirt ragg quilt

Day 2: Cut T-Shirt Squares






Wednesday, October 28, 2020

Day 1 : T-Shirt Rag Quilt - Pick out your t-shirts

 Day 1 : T-Shirt Rag Quilt - Pick out your t-shirts

Day 1 of 10: Select your shirts. Could be a theme. Mine are the Eskimo Joe's Shirts from Stillwater, Oklahoma. Maybe yours would be, football, baseball, drill team, dance team, soccer, Concerts, 5K runs, lots to choose from.

Other things to consider.

  • How large do you want your final quilt to be? How many T-shirts will you need?
    • King - 30 - 56
    • Queen - 25 - 42
    • Twin - 16 - 25
    • Lap Throw - 9 or 12
    • Large Lap Throw - 12 - 16
  • If the material is super stretchy, you might want to use iron interfacing to stabilise the fabric after cutting out your square.
  • Take a picture, move the shirts around in different placements. Note if you have a design on the front and the back.
A couple of my shirts have designs on both the front and the back.  So after I separate the front from the back, I'll do more t-shirt placement to figure out if I need more shirts.

Pick out your shirts.  Can be theme based, as I'm doing here.  Many different styles of shirts from Eskimo Joes from Stillwater Oklahoma.




Sunday, August 16, 2020

Singer 221 Crinkle and Blackside Sewing Machines


Darla Trenner, has researched and designed a wonderful website about the Singer Crinkle and Blackside Sewing Machines. (Including the 221 machines.) Her site is no longer available.  I've listed her research here for your insight and knowledge.

What is a Blackside 221?
Manufactured before and after WWII when chromium and nickel were difficult to Click for larger picture of Blackside 221come by, the   Featherweight Blackside machine has a japan finish and gold decals identical to the Standard 221 but its faceplate is not plated like the standard machine, it is coated black.The coating provides a dull, non-reflective finish.

In an effort to determine the method Singer used to blacken parts, I am gathering information on the passivation and phosphating processes used during the time of 221 blackside production. If you have information which may aid the search.

Although the handwheel rim on the majority of reported Featherweight 221's prior to AG818000 is silver, the handwheel rim on all reported blackside machines is the shiny black japan finish.Black Backplate
Additionally, the backplate on the stitch length regulator is solid black (with the exception of the stitch length markings) on all reported blackside machines.

The presser foot lifter bar on reported blackside machines is predominantly shiny black instead of silver.

There are currently two identified production runs that contain Featherweight 221 blackside machines—July 1, 1941 and September 19, 1945. The serial numbers of blackside 221 machines are not consecutiveBlack Darning and Embroidery Attachment #160719, they are intermixed with standard machines in the production runs.
There are also non-blackside Featherweight machines in the two known production runs that have a black presser foot lifter bar and non-blackside machines with a solid black stitch length regulator backplate.
After more than 50 years it is likely that these machines are not in 'original' condition—parts break, become misplaced, and get replaced. It is unknown whether all blackside 221 machines originally included a black presser foot lifter bar,  bobbin case, bobbins, presser feet, or accessories... and it probably will never be known.
Machines documented as blackside 221's in the database coincide with a known blackside 221 production run, have a black scroll faceplate, and have a black handwheel rim.

The Featherweight 221 was not the only blackside model Singer produced and not the first; in the AF and AG series alone there are model 66, 99, and 128 machines with black coated faceplates, presser feet, and accessories. All parts on the blackside machines are standard, the finish is simply different.

Urban Legend: 221 Blackside with a Black Pressed Steel Faceplate
In the book "Featherweight 221 - The Perfect Portable" by Nancy Johnson-Srebro, the author states that a 221 machine from the November 22, 1946 production run—AG883740—has a black pressed steel faceplate, much like the faceplates used on the 221K white and 221J tan machines and a teardrop-shaped faceplate retaining screw
.

221K white and 221J tan faceplates are easily identified; they have a slot approximately 1/4" long and 1/16" wide at the very top of the faceplate that is used to locate a supporting screwhead. Additionally, 16 standard Featherweights with serial numbers ranging from AE to AM have been reported with repainted or stripped and plated 221K or 221J faceplates.
The database contains 489 other model 221 machines from the November 22, 1946 production run, all of which are standard machines.
In September of 2009 a similar machine was sold on an Internet auction site for $341.67 plus shipping.
Both the seller and buyer granted permission to use their pictures on this website. This machine is from the September 16, 1946 production run—AG811471.
The database contains 426 other model 221 machines from the September 16, 1946 production run, all of which are standard machines.
After viewing the pictures my observations are:
  • The paint on the faceplate has what appears to be spiderwebbing indicative of spray painting rather than a baked on finish.
  • There appear to be file marks on the edges of the casting where the faceplate is mounted.
  • The faceplate fits poorly.
  • The screwhead is not centered in the receiving slot and has damage marks from the tool used when it was removed or installed.
Based on the current information available it is logical to surmise the machine has been modified with a replacement faceplate that has been painted black, most likely from a 221K (originally white/green) or 221J (originally tan/beige) machine. It is not reasonable that Singer would produce a product configuration with such poor aesthetic and workmanship.
Standard 221 Faceplate
Blackside 221 Scroll Faceplate
221K White Faceplate
Standard Faceplate
Blackside Scroll Faceplate
221K White Faceplate
The new owner communicated with both myself and Graham Forsdyke regarding the machine calling herself Rachel Smith when e-mailing me and Danielle (no last name) when e-mailing Graham. Graham arranged to have the machine brought to the Charlotte, North Carolina, ISMACS Sewing Machine Convention in October of 2009 intending to thoroughly check it out including measuring the screw thread size and comparing the faceplate to that on tan and white machines.

After the convention Graham contacted me indicating that Danielle/Rachel "failed to show for the appointment to hand the machine over to Lloyd for transport to Charlotte and hasn't been heard from since."

In October of 2009, the new owner listed the machine on the same Internet auction site with an initial opening bid of $1,999 and buy-it-now of $2,500; the listing was continuously renewed through May of 2010 with the opening bid as low as $799 and as high as $1,925.

Then on May 7, 2010, the machine was listed as a 7-day auction with an opening bid of $0.99 and no reserve. The revised ad stated the machine was evaluated by an unnamed expert who concluded the faceplate was from a 1960's 221J.

The machine sold on May 14, 2010, for $401.01 plus shipping.

AG811471 Screwhead Alignment
AG811471 Faceplate Area Casting
AG811471 Fit
AG811471 Screwhead Alignment
AG811471 Faceplate Fit
Concerning the teardrop-shaped screw:

After studying the picture of this machine on page 72 of the 1997 edition of "Featherweight 221 - The Perfect Portable", a member of Featherweight Fanatics pointed out that any Featherweight 221 can appear to have a teardrop-shaped screw by raising the presser foot lifter bar and simulating the angle at which the picture was taken. On page 204 of the 2001 edition of her book, Ms. Srebro retracted the statements in earlier editions regarding the teardrop-shaped screw.

http://home.roadrunner.com/~featherweight/

What is a Crinkle 221? 


Unlike the shiny japan finish on the Standard Featherweight 221, the bed of the Featherweight 221 crinkleClick for more pictures of Crinkle 221 machine has a dull textured finish and three parallel grooves cut into the perimeter. Its faceplate is either the standard plated striated faceplate that was introduced on Featherweights during the AH serial number series in 1947 or a plain black faceplate with three vertical grooves down the center.

There are at least two theories on the design of these machines; it's possible they were produced to a specific order or they may have been manufactured on marketing speculation.

We may never know the true origin of the Featherweight 221 crinkle machine, but what is known is that Singer produced other models with a crinkle finish: models 66, 99, and 128 well before the 221 crinkle machine was manufactured.
Parallel grooves on Crinkle 221 bedHowever, none of these models had grooves cut into their beds like the crinkle Featherweight 221.At the time, the Featherweight 221 was Singer's most produced and most popular model; the grooves may have been added as a simple decoration.
Beginning in 1997 I've corresponded with the Office of the Quartermaster General, Army salvage depots, field service maintenance branch; Air Force maintenance and engineering branch; procurement division; Navy bureau of supplies and accounts, procurement division, material distribution and disposal, aviation supply depot, bureau of construction and repair, shop equipment sections, etc.

Where I could not convince clerks to dig through the documentation, I pulled in favors from friends living and visiting all over the U.S. who have generously given their time to look through mounds of military documents, maritime museum archives, the National Archives and Records historical documents, records of war production, Lend/Lease Administration archives, War Production Board archives, Office of Price Administration archives, Department of Justice Federal Prison Industries, Federal Property Utilization Branch of the Treasury Department, Purchase and Contract branch, etc.
This research encompassed the years 1930 through 1950.

Through these efforts, I have documentation of military contracts for Singer models 241, 17, 97, 68, 69, 144, and class 7 (model 31) but no branch of the armed services has produced a contract or purchase order for a Singer model 221.


There are Crinkle Pinking Attachmentcurrently two identified production runs of Singer Featherweight 221 crinkle machines—December 5th, 1939 and August 15th, 1940. The serial numbers of crinkle 221 machines currently appear to be consecutive in the first production run and intermixed with japan-finished machines in the second production run.
The faceplates on all reported 221 crinkle machines in the first run—December 5th, 1939—are black with three parallel grooves like the grooves on the bed.


The faceplates on reported 221 crinkle machines in the second runAugust 15th, 1940are a mix of the black grooved faceplate and the plated striated faceplate that was introduced on Featherweights during the AH serial number series in 1947.

Standard 221 Faceplate
Crinkle 221 Plain Faceplate

Crinkle 221 Striated Faceplate
Standard Faceplate
Crinkle Plain Faceplate
Striated Faceplate

Singer Featherweight 221 - Miscellaneous Attachments and Fashion Aids - Blackside & Crinkle attachments.

 Miscellaneous Attachments and Fashion Aids - Blackside & Crinkle attachments.

Miscellaneous attachments and fashion aids.

#120983Various Singercraft Guides

Singercraft Guides

 

#120983Singercraft Guide 1851-1951

Singercraft Guide Centennial

#120983Singercraft Guide 1939 Golden Gate International Exposition

Singercraft Guide Centennial

#160359Multi-slotted Binder

Multi-slotted Binder

Style C-1Skirt Marker

Skirt Marker

 

#161585Thread Cutter (Great Britain)

Thread Cutter

#35505Two-Thread Embroidery Attachment

Two Thread Embroidery Attachment

#108002Feed Dog Cover Plate

Feed Dog Cover Plate

#121318Material Gripper (Sewing Bird)

Sewing Bird

Bank

Bank

#Model F ASinger Durabilt Folding Iron

Automatic Iron

#121255
  #121254
  #121253
  #121252
Complete Set
  Singercraft Fagoter (middle)
  Fagoter Foot (bottom)
  Stripper (top)

Singercraft Fagoter

#121634Seam Ripper and Needle Threader

Seam Ripper and Needle Threader

#160985
#161008
Automatic Zigzagger with set No. 1 Cams (top row)
#161000-161003 Set No. 1 Cams (right middle row)
#161004-161007 Set No. 2 Cams (left bottom row)
#161067-161070 Set No. 3 Cams (right bottom row)
#161071-161074 Set No. 4 Cams (left middle row)

Seam Ripper and Needle Threader


#160616Blind Stitch Attachment

Blind Stitch Attachment

#35135Gauge Presser Foot with Adjustable Gauges
Mounted on Gauge Presser Foot:
#35002
Left to Right on Card:
#35003
#35004
#35005
#35006

Gauge Presser Foot

#160927Quilter
#35932 Underbraider

Quilter and Underbraider

 

Blackside Feet, Fashion Aids and Attachments

Blackside attachments and fashion aids are completely black; there are no silver components.

#25537Blackside Screw Driver
#25527Blackside Seam Gauge
#45785Blackside Bobbins

Screw Driver #25537,  Seam Gauge #25527, Bobbins

 

#128855Blackside Foot Hemmer (left)
#35931Blackside Adjustable Hemmer (center)
#121441Blackside Gatherer (right)

Foot Hemmer #128855,  Adjustable Hemmer #35931, Gatherer #121441

 

#35774Blackside Stocking Darner - Box marked #35776

Stocking Darner #35776

Stocking Darner #35766

#36088Blackside Flatwork Darner

Flat Work Darner #36088

Flat Work Darner #36088

#160721
#160717
Blackside Darning and Embroidery Attachment (left) - Box marked #160719
Blackside Darning Foot (right)

Darning and Embroidery Attachment #160719

 

Darning and Embroidery Attachment #160719

 

#120983Blackside Singercraft Guide

Singercraft


Crinkle Attachments and Fashion Aids

Crinkle attachments and fashion aids have a dull textured finish.

Miscellaneous attachments and fashion aids.

#121021Crinkle Ball Bearing Pinking Attachment

Pinking Attachment #121021

 

#121379Crinkle Hand Operated Ball Bearing Pinking Machine

Pinking Attachment #121021